Léon Pourtau - Les bords de la Saône dans la brume - image-1

Lot 656 Rα

Léon Pourtau - Les bords de la Saône dans la brume

Auction 1013 - overview Cologne
25.05.2013, 11:30 - Modern Art May 25 2013
Estimate: 40.000 € - 45.000 €
Result: 61.000 € (incl. premium)

Oil on firm painter's board 46.5 x 70.4 cm, framed. Monogrammed and dated 'L P. 93' in blue lower right. - The edges slightly irregularly cut.

Rau Collection for UNICEF


The work shows the banks of the Saône enveloped in fog. This river's source is in the Vosges mountains near Vioménil, and it runs for 450 km before feeding into the Rhône at Lyon. The Saône is depicted as relatively wide, and it may thus be assumed that Pourtau painted it near its end. The artist was enrolled at the music conservatoire in Lyon and received first prize as clarinettist. Léon Pourtau was not only a passionate painter, but also - as in the case of his close friend Georges Seurat - a talented musician. From Seurat, whom he met and came to appreciate in Paris, he soon adopted the principles of pointillism. At the age of only 25, Pourtau died during a ship accident in the Atlantic Ocean. He had spent the last two years of his life in Philadelphia, where he had accepted a two-year position as a concert musician in the hopes of earning enough money to be able to subsequently devote himself exclusively to painting. Although Pourtau had been a promising talent, this dream was never fulfilled: the tragic accident occurred during his return voyage from the USA.

The fog above the Saône immerses the riverscape in a mild, milky light. Initially the depicted objects largely corresponded to their local colour; however, they were covered over with a multitude of closely-spaced dots of paint in light violet, pink, orange, light blue, yellow and green. From a distance, these dots - which have been placed according to a playfully realised system - are perceived not in isolation, but bundled together. This effect of optical blending intensifies the emotional quality of the colours.

Provenance

Estate of the artist; Sotheby's London, Impressionist and Modern Paintings and Sculpture, 3 December 1971, lot 13 with colour illus.

Exhibitions

London 1995 (Royal Academy of Arts), From Manet to Gauguin. Masterpieces from Swiss Private Collections, no. 146 (label on reverse of frame, titled there "Paysage au bord de la Saône"); Tokyo/Nagoya 1995/1996 (The Sezon Museum of Art/Matsuzakaya Museum of Art), Impressionist and Post-Impressionist Masterpieces from Swiss Private Collections, cat. no. 48, p. 132, illus. 133; Cologne/Lausanne 1997/1998 (Wallraf-Richartz-Museum/Fondation de l'Hermitage), Pointillismus: Auf den Spuren von Georges Seurat / Pointillisme - sur les traces de Seurat (label on reverse of frame, titled there "Les bords de Saône"), cat. no. 115, p. 254, with full-page colour illus. 115; Kochi/Tochigi/Kyoto/Tokyo 2002 (Museum of Art/Utsunomiya Museum of Art/The National Museum of Modern Art/Seiji Togo Memorial Yasuda Dasai Museum of Art), Georges Seurat et le néo-impressionnisme, 1885-1905, cat. no. 100, illus. p. 209