66 posters, mostly colour silkscreens and offsets, on different papers from 30 x 30 cm to 118 x 83 cm. - The majority in excellent condition, 3 sheets with small creases (mainly at the margins), 5 sheets folded up to four times (due to mailing), therefrom 4 sheets in the folded edges with slight soiling.
Kunsthaus Zürich p.24 (printed on both sides), 37, 39, 40/41 (printed on both sides), 43, 47-50, 52-57, 59, 61, 62 (without the card upper left) , 72 (+ variant on sturdy cardboard), 73 (variant), 76, 90, 104, 106, 107, 117, 120 (signed), 121 (variant), 132 (signed), 134, 135, 136 (variant), 140, 2x 154 (just the smaller part, printed on both sides and as a variant), 156, 157, 161, 164, 165, 169 (just the smaller part, printed on both sides), 174, 175, 177 (signed), 180, 182, 184, 185, 188, 190, 193 (signed), 198, 202, 208, 209, 212, as well as 9 posters not mentioned in the catalogue (Rundschau Deutschland, Fabrik Lothringerstrasse, Munich 1981; Deutschsprechende Galeristinnen, Galerie Six Friedrich, Munich 1984; Kippenberger-Entwurf: Betreten auf eigene Gefahr, Galerie Max Hetzler, Art Cologne 1984 (with W. Büttner, G. Herold, A. und M. Oehlen); Kippenberger-Entwurf für A. Oehlen: My Mother was a friend of the enemy of the people. Galerie Peter Pakesch, Vienna 1985; Martin Kippenberger: Collages 1989, David Nolan Gallery, New York 1989 (folded poster, mounted in exhibition booklet); Erhard Klein as Andy Warhol, 20 Jahre Galerie Klein, Bonn 1990; Kippenberger-Entwurf: Ausstellungsraum Galerie Max Hetzler, Cologne 1990 (with G. Förg, G. Herold, J. Koons et al.); Das Gute muss gut sein (with M. Krebber, A. Oehlen, J. Schlick), Galerie Hlavního, Prag 1992; The happy end of Franz Kafka's Amerika. Fotografie, Národní Galerie, Praha 1999).
Plus: HERBERT FUCHS: A.I.P.2. 2005. Lithograph on cardboard 41.8 x 29.6 cm. Signed and numbered.
