Boudin - Marine (Marine au grand ciel) - image-1

Lot 650 Rα

Boudin - Marine (Marine au grand ciel)

Auction 1013 - overview Cologne
25.05.2013, 11:30 - Modern Art May 25 2013
Estimate: 25.000 € - 35.000 €
Result: 85.400 € (incl. premium)

Pastel on paper mounted on card 21.2/21.4 x 28.7 cm, framed under glass. Monogrammed with the blue stamp "E.B" (Lugt 828) lower right, dated in black crayon "- 1860 -" lower left. - In good condition. Lateral margins slightly rubbed due to framing.

Rau Collection for UNICEF


Eugène Boudin is seen as an important forerunner of Impressionism. He particularly influenced the young Claude Monet, whom he met in 1858 and who became his pupil. Boudin taught him to only paint outdoors and to always capture his first, unaltered impression of his subject.
As an art critic, Charles Baudelaire was particularly enthusiastic about Boudin's work, especially his pastel studies. He became acquainted with the painter in 1859. On the occasion of Boudin's debut at the Parisian Salon, Baudelaire expressed his views in an extensive excursus about these small-format works:
"S'ils avaient vu comme j'ai vu récemment, chez M. Boudin qui, soit dit en passant, a exposé un fort bon et fort sage tableau (Le Pardon de sainte Anne Palud), plusieurs centaines d'études au pastel improvisées en face de la mer et du ciel [...]. Ces étonnantes études, si rapidement et si fidèlement croquées d'après ce qu'il y a de plus inconstant, de plus insaisissable dans sa forme et dans sa couleur, d'après des vagues et des nuages [...]. A la fin, tous ces nuages aux formes fantastiques et lumineuses, ces ténèbres chaotiques, ces immensités vertes et roses, suspendues et ajoutées les unes aux autres, ces fournaises béantes, ces firmaments de satin noir ou violet, fripé, roulé ou déchiré, ces horizons en deuil ou ruisselants de métal fondu, toutes ces profondeurs, toutes ces splendeurs, me montèrent au cerveau comme une boisson capiteuse ou comme l'éloquence de l'opium." (Charles Baudelaire, Curiosités esthétiques et autres écrits sur l'art, présentation par Julien Cain, Paris 1968, pp. 110 f.)
Boudin's depictions of the sky and of water are atmospheric snapshots that spontaneously capture the moment. The delicate cloud formations in our pastel, whose pictorial space is almost entirely occupied by the broad sky, wonderfully reveal the character of his painting. Before the eyes of the viewer, the captured moment comes to life: we find ourselves almost sensing the freshness of the sea air and hearing the sound of the sea.

Certificate

With a confirmation of authenticity by Manuel Schmit, Marrakech, dated 20 April 2013 (ref. no. B-P-7534/ E-13.03.28-1-V); the work will be included in the cat. rais. for the paper works by Eugène Boudin currently in preparation and is registered in the archieve under number Cl. B-P-7534.

Provenance

Galerie Motte, Geneva, 2 Nov. 1971

Exhibitions

Osaka/Hiroshima/Kagoshima/Chiba/Shizuoka 1996 (Museum of Art/Museum of Art Hiroshima/City Museum of Art/Sogo Museum/Prefectural Museum of Art), Rétrospective Eugène Boudin, cat. no. 3, illus. 114; Bogotá/Medellin 1998 (Museo Nacional de Colombia/Suramericana de Seguros), Eugène Boudin: Antesala del impresionismo