Lot 66 Dα

The Seven Years' War was finally ended by the signing of the Peace of Hubertusburg by the Prussian, Austrian, and Saxon royals in February 1763, and Europe could look forward to more peaceful times. To commemorate this happy occasion, in November of the same year Friedrich II commissioned the Meissen manufactory with the production of one of the largest and most personalised services in their history, comprising over 60 place settings and with opulent figural table decorations. In Kaendler's workshop records, published by Samuel Wittwer, one finds the following entry for 11th November 1763, "Newly requested by his majesty the King, an entirely novel table service with swags in the antique style hung from the heads of amoretti in low relief, for which the King himself provided a sketch; [...] the painting shall be of beautiful roses, poppies, carnations, hyacinths, poplars, tulips, monstrose cacti, especially with pretty shellwork, whereby his royal majesty has decreed that no plate should be painted with more than two flowers and that they should be arranged in a proportionate and well thought-out manner so that the two colours do not clash with each other. It has also been ordered that this service should be called the Vestunen Service." (from the German, ibid. p. 68 f.) The name of the service is recorded in this entry. The word "Vestunen" refers to the festoons, or flower garlands, that decorate the vessels and flatware, the production of which would have been the most time-consuming step for the manufactory.

Generally, very few pieces from this service are known. The Kaiser Wilhelm Museum in Krefeld holds a tureen and a roasting dish, whilst the Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg houses two cloches and the centrepiece, which Kaendler described in detail. The Museum of Decorative Arts in Berlin houses two porcelain baskets for fruit or sweetmeats formerly in the possession of the House of Hohenzollern, as well as an unpainted plate. One of the original 240 dinner plates is kept in the Dresden porcelain collection, whilst the museum of the Munich Residence houses the five-part centrepiece of the original figural table décor, which is unpainted as per the King's request. Prior to the Second World War, the Potsdam city museum also housed one of 20 cloches, but this is thought to have been lost during the war.

We would like to thank Mr. Dag Nabrdalik for this contribution.